Directed by – Guillaume Canet
Ne le dis à personne is based on a book of the same name by infamous American author, Harlan Coben.
I loved the way it started. Like most french films, its soul lies in its pacing. Slow and curious at first, then suddenly makes us run along with it. The film is about a middle aged man, Alexandre Beck whose beloved wife became a victim to a serial killer and 8 years later, the tragedy comes back on his doorstep. Now there might be a lead to a story that only seemed unfinished. With Alexandre’s tumultuous journey in search of the real truth and a hidden plot that seems to be getting more and more complicated – the film ends with a bang. I love such films.
What I enjoyed the most were the intricate and delicate detailing of the characters. Of course, they were intentional and contributed not quite subtly in the story – but the fact that they were there, makes it worth the appraising. Its not just a brilliant plot – its the characters and how well they are portrayed to make your story believable that makes a film what it is. I believed in ‘Tell no one’ and at the same time not so much, probably because I could have a figured a better way out in the plot I guess. But I definitely and thoroughly enjoyed watching it!
Mark Twain said:
What gets us into trouble, is not what we don’t know.
Its what we know for sure that just ain’t so.
Directed by – Davis Guggenheim
One of the most famous documentaries of all times. The entire film is based on a detailed presentation that Al Gore, the former vice president of United states has been giving all over the world for many years now, to generate as much awareness as possible on Global Warming.
It starts humorously where he introduces himself as “I’m Al Gore, I used to be the next president of the United States of America”. And then it takes sporadic turns and twists with awing facts and figures and comparisons of ‘how it used to be’ and ‘how is looks like now’ images of the earth. The film again intercuts with his own personal life – where the fear of his 6 year old son’s death, made him realise what it meant to lose something that you take for granted. Since then, he never looked back.
As he asks us to take nature’s warnings seriously and to stop being mad – before its too late, he demonstrates the sentiment of scientists all over the world by putting tons of gold (economy) on one side of the weighing scale and the complete earth (nature) on the other – maintaining a balance, he says.
It was almost embarrassing and I could not help but wonder, that why – aren’t we serious yet? Do we need a dramatic tragic consequence to shake ourselves from our daily lives and actually think what we are leaving behind for our future generations? He also provided facts of how the most developed nation in the world, The USA – is responsible for almost all the carbon emissions that creates Global warming.
To the skeptical minds, he gives them this:
“Out of 928 peer reviewed articles, 0% had a doubt in the study. While out of 636 articles in popular press, 53% had a doubt. So no wonder, people are confused.”
Apart from the content, the film was undoubtedly very powerful. You could almost feel the hopelessness of the man in his crusade against killing mother earth and the constant motivation to not stop. That is quite something, isn’t it?
Nearly four times as many films received an NC-17 for sex as apposed to violence.
Directed by – Kirby Dick
One of the most interesting investigative documentaries made on the Motion Picture Association of America’s rating system, where it questions the entire basis of such a rating system in USA- the farce and fraud founded by Jack Valenti in 1966. It exposes ‘secrecy’ of such an organisation which branches to many political agenda and lobbyists worth multi million dollars. And the so called guidance that they provide for parents, neither with logic nor explanation, in deciding what is appropriate and inappropriate in films.
Many famous directors and victims of NC -17 rating (No children under 17 admitted) came on board to talk about their experiences, where director Kirby Dick hired a private investigator to find out who these secret members of the MPAA rating department were. Sexual content, nudity, sexual preference, violence in films, even copyright acts by Valenti are discussed extensively throughout, by filmmakers, producers and actors.
Its extremely gripping and very surprising for a member of the third world nation like me who considers USA to be one of the most transparent nations in the world. The truth behind it was just a thrilling eye opener.
A must watch.
“You have to choose. Wild sex with a stranger, or wild sex with someone who’s crazy about you, and who you love? Go ahead. Be frank.”
Directed by – Julio Medem
Julio Medem likes to play with the minds of his audience and well, he is damn good at it. The film starts with Lucia getting a phone call leading her to believe that her lover, Lorenzo is killed in an accident. Soon, the story if interweaved with Elena, who a long time back had had casual sex with Lorenzo in the ocean.
Sex and Lucia is about Lorenzo, a writer whose depression we learn about in the discontinued narrative, it is about Lucia who is his passionate lover trying to understand the reasons of his misery and it is about Elena, whose life has been struck with tragedy. And all of this comes together magically in the film.
The subtle confusions are a part of the plot and the effect. The characters on the other hand have actually been freed from the dubiety of the plot and are as clear and strong as the security of an artist’s brush while drawing his imagination.
Its way too beautiful a film.
“Before you can change the world you must realize you are part of it.
You can’t stand outside, looking in”
Directed by – Bernardo Bertolucci
Based on Gilbert Adair’s novel “The Holy Innocents”, The Dreamers is a film about three friends in Paris, a pair of twins – Theo and Isabelle and an American exchange student – Matthew, who bonded over cinema, politics and love.
I loved the way they meet – while protesting for Henri Langlois’s dismissal from Cinémathèque Française. From the very beginning, you see these youngsters so passionate and gripped by the power of cinema. Eventually, the uninhibited relationship between the twins yet not completely incestuous becomes a utopian world for the trio as Matthew fits in as Isabelle’s lover.
It talks about Maoism and the youth movement in Paris during late 1960s through this amazingly furnished plot. It might seem surreal at places but that is the beauty of The Dreamers.
“You heard her. She loves it.”
Directed by – Pedro Almodóvar
Love – a powerful word that is. Talk to her is a very strong representation, if I might call, of the loss of love or rather – about love that is not lost, even if it is.
Weaving into the lives of four people – a male nurse who is obsessed and in love with a dancer and a journalist who meets an infamous female matador and eventually falls with her. Both the women, in their respective tragedies become comatose and that is what the story revolves around. Feelings can be subjective to the past and the film has also been treated like that, with flashbacks, discontinued narrative which makes it all the more interesting. A beautiful film, subtle yet loud. Loved it.
Kickass torrent link to download – Click here
Directed by – Susan Muska, Gréta Olafsdóttir
I have made a rule to note down how a documentary film starts because if its a good film, at the end of it I always forget how it started. I am glad I remember how Edie and Thea began for me.
It did not feel like a film about a gay couple trying to find recognition in the US. It was a story of love and a life lived with “joy” about Edie and Thea who got married after 40 years of courtship. A story worth knowing about – a very honest, sweet tale of passion, adoration and togetherness. Even you are not a sucker for romance like me, I think you would quite love it.
Here is an interview with the directors that I stumbled upon. Click.
Kickass torrent link to download – click here