Directed by – Krzysztof Kieslowski
As mentioned earlier in the post about the first trilogy, Blue, Kieslowski wants you to follow his colour very, very carefully. Here, the theme of the film is equality – represented by white. The first time you see white in the film, Karol Karol (Zbigniew Zamachowski) looks up to admire pigeons flying and its the white shit that falls on him. Equality is thus bullshit and he definitely doesn’t have it, at least not in France.
The film is about a couple who are getting divorced because Karol is not able to satisfy his wife, Dominique’s (Julie Delpy) sexual needs. He asks her to come to Poland where everything will be ok again, but being French, she doesn’t want to leave.
When Karol goes back to Poland finally, he strives everyday to get one step closer to be reunited with his ex-wife. Here again, as in “blue” – the one that is to be attained – equality has been predominately denoted by a plaster bust of Marianne (France’s national emblem for liberty and reason) that breaks during his journey back to Poland and which he tries to fix (efforts to get his equality – to get even with his wife by having her back after she broke his heart).
My favourite film in the trilogy, the most relatable as well. It talks about desires, love and hope in the most beautiful way, never missing the political agenda of the period i.e. reference of Russia occupying Poland in many places. Must watch.
Kickass torrent link to download – click here